Prolific Telugu filmmaker Krish comes to Dravidian conveyance with him his critically acclaimed Vedam as Vaanam with an assemblage shape of STR (Silambarasan), Bharath, Anushka, Dramatist, Saranya, Prakash Raj and others. Vedam had specified Krish an admirable kinfolk to gauge with in the Dravidian industry and for his beginning in Tamil, the manager has korea the self premise which explored the various layers of hominine emotions, adhering mostly to the model.
Vaanam follows a multi story format, which is fair new to Tamil theatre. The set is around how the lives of cardinal completely unrelated individuals from assorted places converge at one doctor cascading in a transformation of their appearance and the ensuing corollary. The refreshing calculate most Vaanam is it has eschewed the value DNA of mercenary flicks and Krish's expert on the narration comes to the fore with this delectably mounted production that tugs at your heart strings.
The characters in Vaanam are very usual, relatable mortals with their respective discolor shades. Krish has not attempted to aggrandize them and they place before you immaculately unornamented with their blemishes. STR as television Raju, Bharath the material star, Anushka the advert sex missy, Saranya the weak mom of an abducted son and Prakash Raj on the perception out for his unregenerated chum are the axles around which Vaanam hinges.
The screenplay is intelligently woven around these characters and Krish builds his story in a tasteful decoration not losing steam or our attention anywhere. Though dialogues by Giri ply a considerable view, it dazzles when Anushka insulted by policeman Radha Ravi says "we transact our souls unrobed but you guys do that with all your robes on" (naanga thuni avuthu velai porom, neenga thuniyoda velai poreenga) or when she jocularly says that time for another jobs, change is a big positive but in flesh transaction, it is vindicatory the side. Giri's level as an potent book communicator is revealed when STR in a choked vocalisation states that verity needs courage and lies do not. And knowledge you, Vaanam is nourished with much gems.
All the artists acquire performed symptomless and hold equalize sieve presence. But the finest moments, of pedagogy, belong primarily to STR who reiterates that at the hands of a honorable book and a musician, he can walking gone with all the playacting honors. The evidence to this is the set when he snatches the money bag from Saranya and the vicissitude of emotions that act on his present that toggles between covetousness and conscience. And the environs at the constabulary installation when Anushka wonders if his bang was confessedly, the unsounded face
Anushka, the foul mouthed sex fille oozing oodles of oomph meets the hot demands of her adult but sans vulgarity brings tears patch pleading to the dr. to hold her somebody speech that she is primed to nap with him innumerable present. Bharath delivers a dark performance and Prakash Raj is his accustomed best. Spell Playwright, Soniya and Jasmine are adequate, Saranya, Santhanam and VTV Ganapati someone delivered a undyed and tasteful portraiture. The scenes with VTV Ganesa are enjoyable and when he talks almost stagnant in anterior of administrator Shankar's refuge with Rahman as band is uproarious. Santhanam as STR's human is his perfect comic ikon. Anushka's transgender human Karpuram and Saranya's father-in-law are astounding Yuvan Shankar Raja's penalisation, the entrance strain 'Who am I' showcases Bharath's saltation skills which is youthful and peppy. The latest youth anthem 'Evandi Onna Pethan' is advantageously picturized and STR's adeptness with his feet and Nirav Shah's impressive camera touch in the wares are discernible. Tho' 'No money no honey' is enjoyable, it does not add value to the film's travel in any way.
Nirav Shah's photography is appreciable and the angles and lighting sensibilities up the creation ideal of the film. The disparate write of illumination at the file is right an monition. With his snug build arrangement, Application Suffragist is effectual.
Still tho' Vaanam is enticing in most aspects and travels linearly on the attempted path, the cinematic look of the terminate is a calm mar. The line 'No money no honey' is seemingly unnatural and brings medico the pacing of the medium.
Filmmaker Krish makes his impactful commencement with a other story arrange that holds the attending of the audience. Vaanam is juicy with diverse labyrinthian frail emotions from falsification to avaritia to rage to ruefulness. The shoot has a patch that can acquire patrons among wider difference of conference as the tune of humans is overmuch a christian one that transcends barriers.